I am quite excited about painting in a new media..... gouache, pronounced "ga- wash". Actually its not new to me as I've used it for years in the back grounds in my watercolor still-life paintings. But now I am using it much as one would use oil or acrylic. paints in a more "painterly" way. I've ventured into other media off and on but always go back to watercolor. Probably because they are so easy to clean up after, don't take up much space, and don't use noxious chemicals. For the same reasons, I gravitated towards the waterbase moku hanga woodblock printing after some years doing etchings and a some relief with oil base ink.
Gouache is sometimes referred to as opaque watercolor. Watercolor is transparent; the whites in a watercolor is the paper showing through, and colors are lightened by diluting the paint with water. With gouache, the colors are lightened by adding white paint. I've got a long way to go on the learning curve as its quite different than painting in watercolor. I'm having a lot of trouble with values. Some of the paints seem to dry lighter and some dry darker. And the same pigments that give a hue in watercolor don't seem to do the same when mixed with white paint. I'm especially having trouble with greens.... maybe thats has something to do with the fact that greens are mostly what I've been working on and there are so many different hues and values out there.
Before trying to paint anything, I did some pages of mixtures of each of my paints with white. I learned a lot by doing these and started doing some testing with mixtures of different pigments, but didn't get too far. I decided to just start painting. Here are the first I've done. The first 3 are fairly small, about 4 or 5 inches high.
This is the view out my studio window done on gray matboard. I thought I wouldn't have to get so picky and tight with detail to get the trees looking like trees. I did a lot of working over. What is so great about an opaque media compared to transparent watercolor is that you can paint light colors over dark.
I went out and took a picture of this mountain and painted it on a piece of watercolor paper, a gray toned one, though the gray doesn't show through. I was happier with my greens and trees in this one.
This is a field of lupine that everyone is commenting on this year. I still felt the need to put a lot of work into the spruce trees to get them to look like spruce trees. I made some changes after this scan.... one thing the white spots in the middle tree.
I must be doing something right, because I sold all three of these pieces to people who stopped into the gallery over the weekend. Encouraging!
I was planning to go camping this weekend, but it seemed too much trouble to get everything ready for just one overnight and I really wanted to stay home and keep painting and work in the garden, so I did.
I worked on this piece on Sunday and yesterday with a few corrections this morning. I did the gouache on top of one of the "beautiful papers" that I did in Anne Bagby's class in April which was done with acrylic on watercolor paper. Anne had said to bring different papers to try and several of the pieces are on heavier papers, not too good for collage and this seemed like a good thing to do with it. The top layer of the acrylic is an acrylic glaze media and the gouache will completely wash off with water which made corrections easier. I don't know if that is a bad thing. There is a bit of tooth in the surface and it's not flaky so it should be OK.
Today I cleaned up the studio and did a couple of little collages. I almost signed up for another print exchange, but I think the painting is going to hold my interest for the rest of the summer.
I stopped my writing at about 9 when I saw that the sun was out and rode my bike down to the beach. It was well worth the trip. there was a rainbow and the sun set at just about 10 and it was a beauty. I took a bunch of pictures and will put some on the next time I post.